Mocha differs from the other trackers available from After Effects in that is a Planar tracker, which means it's much better for tracking shapes - for example, if you're doing screen replacements. Mocha AE is available from the After Effects menu: just choose Animation>Track in Mocha AE. While there is a range of excellent tracking tools within After Effects itself, you get another piece of tracking software with Adobe Creative Cloud. Mocha AE is the secret weapon hidden with After Effects, it can be used for a range of 2D tracking work and stabilization work, and is often quicker and more accurate than the built in 2D tracking options If this does not work you can adjust the way that the Stabilizer works, by choosing a range of options from Warp Stabilizer through to Position Only. To mitigate this, whether you're using After Effects or Premiere there is a range of options to help you get the result you want.įirst of all, you can tell After Effects not to crop your image. While the Warp Stabilizer tools usually do a pretty good job, especially over shorter clips, one of the drawbacks of the stabilizing tools if they're run automatically is that they can crop into your footage quite drastically. I usually start with the Warp Stabilizer. The quickest way to access the tracking tools is to go to Window>Workspace>Motion Tracking, where the tracking palette will appear. Of course magic tricks do not always work the way you want, and so After Effects has a range of options to help. We've shown you how to add camera shake to clips with the After Effects wiggle expression, a while back, but AdobeMasters shows how to get the same look directly in Premiere with Warp Stabilizer.Use the Motion Layout to access the tracking tools quickly, you can use the other options in the warp stabilizer to help refine your result Savvy color grading helps, but a static tripod shot in the middle of a shaky handheld sequence often sticks out like a sore thumb.Īnother way to make them look more consistent is to add camera shake in post. Ok, this might not be a universal experience, but if you’ve ever had to work with stock footage or archival clips, you know it can be tough to make everything look consistent. Does that locked-off clip clash with the handheld footage next to it? But right before you export, a pang of doubt makes you pause. From hundreds of archival clips, you’ve gathered the essential ore and forged it together.Īfter careful honing and polishing, your sequence is now practically a katana of visual storytelling. You’ve locked your picture and mixed your audio. We’ve all been there: after days of work in the editing bay, your project is nearly perfect. This Warp Stabilizer hack from AdobeMasters makes it easy to fake a handheld look.

Adobe premiere camera shake effect